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Not only does it look elegant and is truly pocketable - something ever rarer in high-end compacts - but the 1/1.7-inch sensor also produces great-looking images straight from camera and the f/2.0 aperture at the wide-angle setting is great to have. In fact the S110 isn’t wildly different from its predecessor at all.īut when the S110 comes good, it does so in style. We’ll get the bad stuff out the way first: the Wi-Fi is poorly implemented, battery life really isn’t up to scratch and, just like its predecessor, there’s still no hotshoe or accessory port.
It’s now got some extra pep compared to previous S-series models and, even if it’s not heaps faster, it’s definitely swift.Įven though the high-end compact camera market is hotting up, the Canon PowerShot S110 still delivers in many areas. Put the camera to use and it’s autofocus that gets a recognisable injection of speed. Performanceīut let’s not dwell on that low point. It put us off using it, and it’s a battery beater just to further add to the pain.
In short: this implementation of Wi-Fi is not how it should be done. It’s also possible to pair with a smartphone for a connection on the go, though we found the pairing process slow and even Wi-Fi connectivity in good signal areas was poor. READ: Samsung Galaxy camera pictures and hands-on
Canon image gateway facebook full#
However everything centres around Canon’s Image Gateway - the sent email doesn’t include the full image, it instead links an invite to an online gallery and the apparent Twitter and Facebook posts didn’t show up on feeds and walls at all, even though confirmed as sent from within the Image Gateway history. From within the camera’s playback gallery an upward click on the rear d-pad will open up access points - and here’s the part where you’ll want to enter WEP passwords as required, before sending the image. Once all of that’s done, things appear to ease up. However the screen’s close proximity to the edge of the camera’s design and lack of any sizeable grip - short of a textured surface throughout the flat front - can throw up one or two accidental-press hiccups.
Canon image gateway facebook update#
It’s responsive and perfect for positioning a focus point by hand (quite literally) and is an excellent update to the series. Premier to the S110’s feature set is a touch-sensitive LCD screen. Although, unfortunately, it’s not all entirely "appreciative". Now that we’ve been living with the S110 for some time, we’ve been able to get a better appreciation of what’s different. However, the S110’s slightly larger sensor knocks the socks off the Panasonic in low-light conditions, and also has a longer-reaching zoom lens, so it’s really six of one and half a dozen of the other. The fact this maximum aperture dips down to f/5.9 at the 120mm equivalent focal length is a disappointment however, in particular when thinking about the Panasonic LX7’s ability to open up to f/2.3 at its 90mm equivalent. The f/2.0 aperture available at the wide-angle 24mm equivalent is an essential for letting more light reach the sensor for blur-free exposures even in dim conditions. There is of course the lens to consider too. It’s a carbon copy of the S100’s image quality though and even the HS system with Digic 5 processor is the very same.
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Even ISO 1600 shots - which is where the Auto ISO setting maxes out, despite manual selection of ISO 32 being possible from within the menu - in low light hold enough detail to pass off as decent. Images from ISO 80-800 are largely noise-free and sharpness is top notch too. Its 1/1.7-inch size is a cut above but the fact that there are now yet larger-sensor compacts on the market, such as the Sony RX100, opens up the gates for a whole lot more choice.īut it’s hard to question the S110’s quality. Let’s rewind for a moment: the S110’s 12.1-megapixel sensor is larger than those found in most standard compacts. It continues to show Canon’s pedigree in this category. It’s hard to argue with the S110’s simple, elegant and small design. The rear d-pad also doubles up as a rotational ring so, in combination with the front lens ring, the dual ring method makes light work of manual control. It’s a great feature to have and, although the ring itself is rather small, it’s possible to work a single finger around the side, or cup the whole camera to get a pinch-like control from underneath. If those pre-set features don’t suit what you want, then a single press of the "Ring Func" button on the rear allows for customisation.
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